Ponchiroli Editori
Nipponto

Table of contents

Foreword

Between history and legend

Nipponto - the divine katana

Periods in japanese history
Ancient Period
Nara Period
Heian Period
Kamakura Period
Nambokucho / Muromachi Period
Momoyama Periodo
Edo Period
Modern Period

Japanese eras in relation to swords classification
Synoptic chart

Hystorical periods of the japanese sword
Jokoto
Koto
The 5 Koto Schools
The Yamashiro School
The Yamato School
The Bizen School
The Soshu (Sagami) School
The Mino School
Shinto
Shinshinto
Gendaito
The japanese sword in modern times

Types of blades and their classifications
Explicative charts
Mounting parts
Tsurugi and Tsurugi no Tachi

Shin-gunto
Further details: japanese military swords
Shin-gunto NCO
Spade Kyu-gunto
Le Kai-gunto

Fakes

Classification based on shapes
Design evolution related to combat needs
The period of Tachi
Koto of the earlier Kamakura period
Koto of the middle Kamakura period
Koto of the latter Kamakura period
Koto of the Nambokucho period
Koto of the first Muromachi period
Middle Muromachi period
The end of the Muromachi period
Beginning of the Shinto Period
The Keigen-Shinto period
Kanbun-Shinto of the Edo period
Distinctive features in Edo and Osaka fabrication
Genroku-Shinto of the Edo period
Beginning of Shinshinto period
The Edo period, first hald of the Shinshinto
The Edo period, second half of the Shinshinto

The mountings of japanese swords
Mounting Types
Koshirae of particular interest
Notes on components
Katana - mounting parts

Metal parts of the mounting
A few methods for inlaying and embroidering
Tsuba's craftmans
The themes

How to read signatures [mei]
Old provinces
Swordsmiths

Nihonto Origami
written authentication of japanese swords

Making of the blade
Steel and forging techniques
Fabrication
Quench

How to judge japanese swords
Blade damaging caused by temperature
Cracks and blade's flaws

How to judge cutting quality

How to evaluate japanese swords

Cutting tests

Care and maintenance
Cleaning
Display

Signature as status symbol

Martial arts today
The birth of Kendo
The birth of Iaido
Cutting tests

Glossary

Bibliography

Acknowledgments

Photographic fonts

Credits

Index of tables

Tav. I-a Evolution of the shape
Tav. I-b Evolution of the shape
Tav. II

The 5 Koto Schools

Tav. III Stamping
Tav. IV Blade parts
Tav. V

Blade measures

Tav. VI

Sori Types (bendings)

Tav. VII Fukura
Tav. VIII Kissaki Types
Tav. IX

Shinogi Types

Tav. X

Mune Types

Tav. XI Nakago shape
Tav. XII Nakago extremities
Tav. XIII Yasurime
Tav. XIV Hi types
Tav. XV Hi endings
Tav. XVI Hada types
Tav. XVII Hamon types
Tav. XVIII Boshi types
Tav. XIX Blades structure
Tav. XX Variations in the shape
Tav. XXII Tsuba, with negative and positive silhouette
Tav. XXIII Kazaritachi
Tav. XXIV  Kenukigatatachi
Tav. XXV  Efunotachi
Tav. XXVI Itomachinotachi
Tav. XXVII Itomakinotachi in Shirizaya
Tav. XXVIII Handachi
Tav. XXIX Uchigatana
Tav. XXX Katana
Tav. XXXI Wakizashi
Tav. XXXII Shirasaya
Tav. XXXIII Tanto
Tav. XXXIV Aikuchi
Tav. XXXV Hamidashi
Tav. XXXVI Kaiken
Tav. XXXVII Saya accessories
Tav. XXXVIII Tsuka shapes
Tav. XXXIX Tsuba
Tav. XL Buke-zukuri mountings, exploded diagram
Tav. XLI Tsuba shapes
Tav. XLII Tsuba, edge types
Tav. XLIII Tsuba, section types
Tav. XLIV Inlay types
Tav. XLV Ancient provinces in Japan
Tav. XLVI Quench
Tav. XLVII Masame and Itame hada
Tav. XLVIII

Placement of refractory clay prior to quenching

Tav. XLIX

Kizu, blade's flaws

Tav. L Tameshigiri